The Game objavio je novi mixtape 'You Know What It Is Vol.3' u suradnji s Nu Jerzey Devilom i DJ Skeejem na kojem se našao niz freestyleova u kojima napada bivše kolege iz G-Unit. Pjesma koja se ističe je '300 Bars and Runnin' na kojoj Game freestylea 15 minuta. Preko podloge sastavljene od 'Shook Ones Pt. II' Mobb Deep do 'Diamonds from Sierra Leone' Kanye Westa, Game prijeti DJ Whoo Kidu, naziva Lloyd Banksa "cookie monsterom", dovodi pod upitnik Olivijin spol, ismijava Tony Yayove godine, zeza Young Bucka za gubitak zlatnog lanca, te kaže da mu je 50 Cent pomogao u pisanju dviju, a ne šest pjesama. Nakon što izrazi poštovanje Jay-Z-u, Game napada Memphis Bleeka i Young Gunz. Osim ovoga, navodno se majice G-Unot odlično prodaju.Sve majce su rasprodane u dva dana,a možete ih nabaviti na ovdje i i ovdje Sa svojim materijalom " 300 bars and running " bivsi clan G-Unit-a 15 minuta ispucava svoj bijes, i pri tome neizostavlja nijednog od svojh bivsih kolega iz G-Unita, pa cak dissa i Oliviu koja je trenutno najnovije otkrice Fifty-a. Ovaj petneaestominutni disstrack trenutno se siri veoma velikom brzinom i zasigurno ce izazvati opet novu svadju izmedu tek pomirenih Fanatika. G-Unitov odgovor na ovo zasigurno cemo moci cuti ovih dana, a ko nije cuo Game-ov diss na njih nek ga skine i preslusha ;) prva str. ili 2. evo txt: [INTRO] My mama took me to Sam Goody's I wanted to buy a 50 Cent CD I took that shit home That shit was wack like a muthafucka Don't fuck with Game I like 50 Cent He reminds me Spongebob And Tony Yayo is Blues Clues And Lloyd Banks is Dora the Explorer They're my friends Psyche I went down one of them Bodaga shits right there in Harlem Got me a bootleg Lloyd Banks and Young Buck CD Took that shit home, put it in my boom box Thought I was bout to be on some radio Raheim shit Man that shit sound like some Vanessa Williams '88 I mean Olivia cute but they say that bitch a man So this Black Wallstreet for life now GGG-UNOT! [GAME] 300 Bars and Runnin Just loan me your ears for 15 minutes Walk with me Here the breakdown, pass the doja, .45 in the holster Hollow tips'll fold 'em, them niggas they toy soldiers Oh, that boy colder than Hova unless he sober Like I'm the president, but this ain't the takeover Now, there's the speaker, bring your ears a little closer Before you call this a diss, and you make Hova pissed Why would I wanna do that? When I'm just the new cat That was taught if a nigga take shots to shoot back Defending his yard, yeah standing his ground I'm saying if you gonna retire, then hand me the crown Nah, let Bleek do it, then throw him a concert in Madison square Watch everybody sleep through it We can go bar for bar, I'll let the lines speak to 'em What they say? Bleek is over let Chris and Neef do it They say the wrong thing, I'ma smack 'em silly What you thought? Them was the only niggas that rapped in Philly? See them niggas with the soonies leave you wrapped in Philly Then dash in groups like Beanie Mac in Philly ??? said Curtis Jack in Philly Make a U-turn, I gotta go back to Philly I forgot my cheese steak, that's what I told the cops So they wouldn't get the dogs start searching for the glock And I can't forget, B.I.G. got murdered by the cops Even I was Ready To Die, when I heard that he was shot What's beef? Beef is when I murk you on the spot Labels signing many things, still searching for they Pac I put purple on the block So I don't feel threatened when Ludacris say he coming for the #1 spot Ask 50, it get lonely on top You can hate me or love me, but now the cops the only homies he got When it's beef we eat, we win, but we ain't lonely we pop You sell records but a GGG-u not! Acting big on the radio, to me you not You can ask Mr. CCC who hot Tony Yayo I bet 10 G's you flop Run up on that new 300 C you got Stop hoping I fall, hope the bleeding stop And I hope you black out before you see the cops I ain't hot top for colors, I'm from Cedar Block So I got my hot tops that make your breathing stop I'm a gangsta slash rapper, check your CD shop I'm like Elvis in there, they can't believe you dropped Now I'm moving on up to George and Weezy's spot I picked up where my homeboy Eazy stopped I saw the west coast, put the shit on my back Sprayed Aftermath on it, then loosened the strap It get hot in here, let Lucifer rap Bring hell to niggas when Dre producing a track Take it to the streets, put the duece duece to your hat Then call up the pigs, tell them the rooster's back Call Jadakiss, tell him that duke is back I'm still by your side, no matter who comes strapped Fuck Lloyd Banks, it ain't about who can rap It's about when the ??? clap, is rufus back I see what you thinkin, you want me to die, is that so? Now you left leaning back, thanks to Fat Joe We got reservations in heaven, you ready? Let's go Drop them off, then the sound like Esko I'm a say he hit me first if me and Dre talk All Nas said back was he had a ??? Now that's the eulogy, beef is kinda foolish see niggas running their mouth about what the fuck they gon' do to me But quit the yapping before I proceed to clapping And you gon' see the captain with plans of getting me captured Even behind bars, I'm still gon' shine I'm 10 years younger than Yayo, I get out, I'm fine Then I go right back, nigga I pop mines How you gon' drop Olivia, you only drop dimes I knew you changed, when you started sleeping in that vest dog I don't need 50 Cent, my niggas make collect calls 1-800-split a faggot nigga wig He got G-Unit wings, throw them off the Queens Bridge Now your career is over, career is over We in QB, banging CNN in the rover T-O-N-Y, that's the phony NORE You ain't the talk of New York, your sixteens is boring Take that shit off nigga, go back to PC And tell 50 Cent you want a copy of Beef 3 I'm airing their ass out on DVD You wanna rhyme like Lloyd Banks repeat after me I'm a G-Unit toy soldier On Sesame street doing voice overs Bitch ass nigga need a rhyme dictionary, to rehearse his lines Sound like Oscar the Grouch, with them nursery rhymes We was in the studio, when I first got signed He got stuck, he called 50 tryna borrow some lines That's the wrong nigga, when you need help with your rhymes All he gon' tell you is say G-Unit one more time Got mad cuz I ain't wanna make your beef mine You got lucky with Ja, why you aint go at Shyne? He freestyled from the pen, that's just the fact Said he'd put you with your mom, and you ain't fucked with that Then you lied about your pops, he ain't never bust no cap Like Father, Like Son, go ask Busta that I knew from the beginning I couldn't trust those cats I'd kill 'em all, if I could bring Justo back The underground is mine, I treat it like home It's the reason niggas saying my name like Mike Jones The underground is mine, I treat it like home It's the reason niggas saying my name like Mike Jones The underground is mine, I treat it like home It's the reason niggas saying my name like Mike Jones I said The underground is mine, I treat it like home It's the reason niggas saying my name like Mike Jones And I'm far from Houston but you can chop it and screw it Do whatever to it, but it in the store the shit moving Gave 'em a hundred bars, they ain't think I could do it Came with two hundred, nigga this is more than music Even Dre knew it, that boy hot like summer Both feet in the dirt, 300 Bars and Runnin And I beef with any nigga, say my name muthafuck I'm gunnin' You can put it on skee if you want it I'll air you out on Drama King, Mike, or Clue And watch them shits sell out like a Air Jordon shoe I told Funk Flex when I catch the nigga Whoo Kid We gon' see if he know how to DJ with bruised ribs Don't hit me on the sidekick asking what you did Get a gun or ask 50's police to use his Cuz Bloods gonna get ya Bloods, Bloods gonna get ya for that Shadyville chain That 380 spill brains, when I pop shots Outside NY, in front of hip-hop cops Or broad day in L.A., I'ma tell Em and Dre This nigga bootlegging my music, ain't nothing for him to say Took me off my own songs, then put it on his tapes So I'ma take him out his house, put the beam on his face Drop him off at Terror Squad, let him scream for the jakes Cuz when you fucking with Jayceon, you can bleed in the lake For caking off niggas on them CD's and tapes Ask them to scratch a record, you will see he fake If 50 was Puffy, you'd run and go get him a cheese cake Take the DJ off your name, Mr. Instant replay Not the instant replay I mean the machine that G-Unit use every time 50 on stage singing like Bitches only feel your shit just a lil bit niggas only feel your shit just a lil bit On my album 50 helped me just a lil bit Only on two songs, now back to some killer shit My clips bananas, I kill a gorilla quick Beating on your chest, I see to your death, yep Tell Ecko to make him a suit Tell Reebock to make him some boots Get him a head band, to cover the holes in his head He a dead man for thinking he can walk through muddy waters like Redman Banks blacked out and let the gun blam without a M-E-T-H-O-D Man So the lieutenant gotta ask for his strings Take my advice, never wear air max for the dames Unless you one of the Bloods, or a latin king Cuz if your left with the Aryans your ass will sting And your cell mate is a 25 to lifer They will stab you then ??? then fuck you on Rikers And Life Goes On Now back to the coward of the hour who lied and said he write my songs He told Vibe Dre was gonna leave me on the shelf So he gave me all his hits, you should've kept them for yourself nigga stop acting tough before I stand over you Show you how The Documentary live on top of The Massacre Make a move I'm blasting your ass to the last one Ten shots from the Mack empty the rest in the passenger Fase yelling thats enough, let the coroner bag him up Throw in Makaveli and lift the doors on the Maganum Gun smoking, Fase think I'm locin' backing up Reverse the '05 hurse on 41st and traffic, what Hip-Hop cops on my left, but I pass 'em up The Dodge got a hemmy in it, Game got a Remy in 'em In and out of lanes like a New York cab I'm Mr. Ol' King, that New York cab Who's this fake nigga, on pictures with the Jake nigga? Got his crew starving cuz he aint the whole cake, nigga He ain't Nas, ain't B.I.G., ain't Jigga If he ain't Cube or Pac then who you got? We getting tired of you talkin about who you shot I'll use another six bars to tell you who you not You ain't 50 Cent, he went out like a gangsta You went out with Vivica, three months after wanksta Get Rich or Die Tryin, we thought you was hot Now the same nigga wanna take us to the Candy Shop C'mon man, what happened to the thug? Now you could find in the club, him and Lloyd Banks hugging nigga got mad when The Game start buzzing So fuck making friends now I'm into throwing slugs Olivia talking about we a family, Game had to go nigga I'll smack that ho like I'm Jackie-O Cuz I don't wanna be cool, I don't wanna be you I don't wanna shake hands, or wear your G-Unit shoes Don't want you on my hooks, don't wanna be in your group Just wanna sit here and wait To be gone, so I can head back to the block Fresh white Nike airs and the matching socks fitted Pull the brim low, if they don't get it Bentley Coup on gold daytons, I was the first one with it Four times platinum, I done been there and did it Came in the game and shitted, then wiped my ass with it They say the Lord giveth, if Lord take it away So I build a house on top of Hip-Hop, I'll wait for the day niggas hating on me, they don't want Jayceon to play And the DA waiting on Jayceon to make a mistake So they can put me in the SWAT car and lock me away Give me a odd job in the pen for minimum pay Let me out so I can drive down criminal way Pushing the rock, nah this ain't no subliminal Jay The summer too hot, and I want the winter to stay Cuz I'm a cold nigga when I put the pen to the page Similar to them shells going into my gauge I hand 'em off to Dre, he turned them into grenades And Just Blaze, cuz the boy got game Like I close my eyes, and woke up in a Roc chain Now back to reality, my gun and my vest And if diamonds are forever, then I'm Kanye West Take a look at my chest, a hundred thou wet jacob Whole crew got chains, a hundred thou can't break 'em And the flow is hot like that wit Satan And the only thing I got spinning is Daytons The hotter I get the more willing to snake 'em So soon as the beat drop, watch where I take 'em Compton Swap meet, to get me some All-Stars When Game in the house, they callin all cars Cuz they heard about what went on in D.C. Heard about Hot 97, my beef with 50 Now tell me do he got a conscience? I think not, cuz if he did I wouldn't be involved in this nonsense Wouldn't be in Harlem, wouldn't be at this conference I'd rather be pushing rock, like Samantha Rodman 50 whispered in my ear, like we still bonding We ain't friends, I'm just acting like Charles Bronson Middle finger in the air, one hand on my Johnson Hip-Hop police on me like I'm the convict What happened to the old school? I thought it was rhyming Doug E. Fresh and Dana Day on the corner like Common Now that ain't common, it's more like Top Ramen The flow is news, I throw it up like vomit And I still shine like diamonds They kicked me out of G-Unit and I rebounded like Rodman It's still Aftermath, two feet in the pention I be mad, I ain't, I'm supposed to stop I can't because I'm in the hood politican, Impala liftin And I keep a black .45 on the side of my prada denim Chip on my shoulder like I'm fresh outta prison Dollar vision, blow a hundred thou like my wallet missing Then re-up like kid before the d-cup Continuously getting money with my feet up Chasing the throne, here my black Air Force I said fuck Benzino and got the cover of The Source Feel me? If not then I guess you gotta kill me But you ain't gon' do that so muthafucka move back While I do B.I.G. and 'Pac impersonations on two tracks When I wake the dead, everybody remove hats We miss ya'll, can I get a hand clap? Now back to rap, why I gotta stay strapped? On that murder T-I-P, kill you ASAP They won't know which hole to patch up, when the ??? clap I tried to spare you Young Buck, now it's time for payback It go, how you from Cashville but you ain't got no cash nigga? Say my name now that's your fucking ass nigga Kept your mouth shut and I gave you a pass nigga Now I gotta lay you down like the last nigga Buck, buck, buck from my AK-47 This nigga playing with his life, I might have to put him in heaven Tryna play the game, talking shit up on the stereo Prepare for burial, it's when I'm reincarnating Harry-O And you don't want that David cuz you love your life Get my Vibe, when it's war he pull out butter knifes Muthafucka I'ma show you who the gangsta All you do is Murder Inc., now who the wanksta? When Suge had you, you were stranded on Tha Row Juve left you for dead and went back to the N-O 50 heard you on the tour bus and felt your little flow Then he made you temporary replacement for Yayo You a bitch, and that's hard to swallow And you got robbed for your spinning G-Unit chain in Chicago I call my nigga Jojo to get it back He had the shit in his hands, and you ain't had the ten stacks Picture that, I thought we was G-Unit Then you ran and told 50 that I did that shit Ask C-Murder, the boy ain't hard to find I told Monica when I catch him The Boy is Mine Take one shot of Brandy and pop Watch his panties drop, when I run inside the Candy Shop Fuck you, 50, Banks, Yayo, and the cops And Olivia, I mean for a man she hot Now I'm running out of breath, like I just beat boxed Got 20 bars to go, lay it down like sheet rock Don't worry about the flow, the boy know he hot Hurricanes in store November, nigga fuck Reeboks I'm fly like a Hummingbird on a tree top The new Hov, the new B.I.G., the new 'Pac, I need three spots 280 in, ain't no getting me back I'm yelling fuck the world, on my victory lap Remember first it was Buddens, then it was Bleek Now it's whoever muthafucka, yeah, who want beef? Now whenever muthafucka, who wanna see me? In the coffin, body exhausted, resting in peace You don't want war nigga, you want peace So give 'em the peace, capiche? Let 'em rest in peace From west to east the flow is outdatable, irreplacable Lyrical homicide, hell is hot, I'm boxing with Satan And I slipped 'em the ace, so you cannot replace 'em If Eazy ever decide to return, I remain Jayceon A king in the making, and the throne is for the taking So I climb the mountain top and put my stake in Got the weight of the world on my shoulder Not a nigga nor a hoodrat bitch can stop me from taking it over This is crack music, go get the baking soda 300 Bars and Runnin, nigga the wait is over I'm gone gone gone gone gone gone gone gone gone gone gone prema svemu UNiTeD G-Unit je history, osim ako sve nije promidžbeni trick??? |
50 cent Birth Date: July 6, 1976 Birth Name: Curtis Jackson How'd You Come Up in The Game?: I was introduced to Jam Master Jay by a friend of mine and he gave me my first shot to get on a record. But the Tour Schedule for Run DMC became so hectic that he couldn't concentrate on me. I moved forward and ended up meeting Corey Rooney and got a record deal at Columbia. He was Jennifer Lopez executive producer, that's how I met her. My first album came out in 99. But I got shot, and dropped from Columbia Records. I had to figure out how to market myself. So I spent a few months out of town to heal up and everything. When I came back down I started working the mixtape circuit. I tried to have a song on every mixtape on the street. I wasn't in a hurry cause it would have been my 3rd record deal and I wanted to be successful the Third time around. How'd You Come up with the G-Unit Concept?: G-unit stands for Guerilla Unit. I didn't use Guerilla because that group had that Video Out. Remember that cartoon? So I used G-Unit Instead. It was 6 of us at one point. Myself, Yayo, Sha Money & 2 other guys. Lloyd was too young at the time. What's Your Favorite Song off 'Beg for Mercy'?/Why?: My favorite song is 'Smile'. It's cause I put together the kind of record that I feel will give Banks a big start. I enjoy the whole record, but I feel like it'll set up his career and now he can go to the material that he has. What's Your Favorite Song of all time?/Why?: In Da Club.. It was just me lighting it up and have some fun. I made the Record in 30 minutes, me and Dre. After it was done it became so big. It's my biggest record to date. Other then that, I like the Marshall Mathers LP, I listen to it all the time and try to get it. He did something that people identified with, that's why the love him so much. That's what I want to do. Who were your influences growing up?: RUN DMC, KRS 1, Rakim was Hot. What Made You Want to be a Rapper?: I always loved the music. It wasn't until I thought about it and it was time to make a different decision in the route of my life. My son was on his way, so I had to do something different. I couldn't afford to be back and forth in jail. What Artist and/or Producer Would You Like to Work with?: I'd like to work with Steve Wonder as artist or producer cause he can do both. I've worked with a lot of people so its hard to say. Also, Prince, if I can get him to do something like his older material. What other Album, aside from 'Beg For Mercy', are you anticipating this year?: Lloyd Banks Album March 9th, his album is coming. Eminem is gonna put out a new album. I heard some of it and its crazy. I'm excited to hear that record. What's your Most Memorable Moment Since Everything Jumped Off In The Past Year?: The first week sales on 'Get Rich or Die Tryin'. I acceded everyone's expectations at that point. I was in ATL for the NBA all star weekend at when I found out. What do you do in your free time when you have it?: Write Music or just at the crib going through beats. I work all the time. I'm listening to music that they (other members of g-unit) made that I haven't listened to yet. I try to get in the Gym. You are limited to what you can do with your training while on the road. What's the Difference between performing Here in the US and Abroad?: Overseas.. they're both cool, I enjoy them both. Everyone knows the words here, so that's when I get the momentum. Overseas, they try to learn the music and the words. Their energy is higher than the states at times. Lloyd Banks Birth Date: April 30th, 1982 Birth Name: Christopher Lloyd How'd You Get in The Game?: My Story starts in Queens. I grew up around the corner from 50. Me and Tony Yayo lived on the same block. I've been rapping for a long time, its just something I did. Even when I was in school, 11 or 12, instead of doing my work I would write down everything around me. Even when I wasn't rapping I would write. It was something I did in my spare time. I was young, 50 is 7 years older then me. The things I was rapping about wasn't what he was going through. The things I'm going through now, he was going through then. Yayo is older he went on the road with 50 on the Nas promo tour, the Cash Money/ Ruff Ryders Tour, and I was still at home. So I got on local some mixtapes and created a little buzz around the neighborhood. How'd You Hook Up With G-Unit?: When I was doing the local mixtapes, that was around the same time 50 got shot. When you get shot sh*t changes. You start saying "who's really your friends?" Or who's around because you're a good person to be around? A lot of people stayed away including the label. When I made that decision to get with 50 in the game it was more like you know what "sh*t happens in this game". I'm going to be in the game with somebody I'm going to take a bullet for and vice versa. I was in the hood, if you told me I can make a million dollars, I'm like yeah I'd rather die for a million dollars then 10 dollars. Everyone in the Hood had their opinion, why you waiting on 50. But every week Yayo was coming home from somewhere new, with something new to tell me. So I was like, I'm gone ride behind him. Soon as 50 came from the hospital he came to get me, we got together and he showed me a list of a bunch of DJs. Before you knew it we went into the studio and did 18 songs. The Next Day we were On every single mixtape hittin' the streets. What's Your Favorite Song off 'Beg for Mercy'?/Why?: Smile. It's my personal favorite. I have records that I listen to More then others, but that's the record that I had a lot of fun recording. The hood they care more about the Gangsta side and the punch lines. I fed them that on the Mixtape.. I rarely get a chance to touch on something positive, or reach out for the Females and touch them. It's not so much of an R&B Record. It's not like Ja and them did it, all mushy and sh*t. "I want to be the reason you smile.. after you dry away your tears and dry your eye". Everything in my hood, its different, it doesn't always go down like that. Sometimes a girl is just your hommie, you might have a baby or two, so I'm giving them that aspect of a relationship. I wanted to give the females a different side of Lloyd Banks. What's Your Favorite Song of all time?/Why?: In Da Club.. that's the one that popped it up. Outside of G-Unit, I listen to Snoop A lot. 'Gin & Juice' is one of my favorite Records. Who were your influences growing up?: My Rap influences are Snoop, Rakim, Big Daddy Kane and Kool G Rap. I grew up with Mobb Deep too, they were young so I understood what they were talking about a little bit more. What Artist and/or Producer Would You Like to Work with?: Trick Daddy. I want to work with Snoop on my Solo Project. I would work with Jay. I've worked with a lot of people already, Mostly Females, Eve, Mya, Brandy, Missy, Alicia. As far as a producer, I'd like to work with Timbaland. I haven't worked with him yet. What other Album, aside from 'Beg For Mercy', are you anticipating this year?: My Album. Just hearing it. I'm still buggin' at the G-unit CD, I can't really explain it. When we were making the record we didn't really get to stop and listen to the songs. If you listen for too long you'd get stuck on the record and you don't want to stick to just that. I just got my hands on the album 2 days ago so I'm stuck on that still. To see my own album printed up and the art work, I'll probably be stuck on that for a little while. What's your Most Memorable Moment Since Everything Jumped Off In The Past Year?: It's been so many. Probably the Anger Management Tour overseas. It started off in Japan went all through Europe. I've never been out the state of NY, let alone being out the country. It was crazy to see Japan. They know the words to the record. When I felt like I didn't belong, someone would come out the crowd and run up on me. That was the highlight. What do you do in your free time when you have it?: I write. I write a lot. All day, whenever I've got time. I smoke a lot. I don't smoke cause it make me write better. I smoke cause I've been doing it since I was 11 years old, so it's just something I do. Banks on the West Coast Influences on 'Beg For Mercy': We've been out in the West Coast a lot in the past year and a half. Almost every two weeks. You Start seeing different things. We picked up on what Em and Dre do cause the music is hot. You flash back sometimes, like damn "I'm in the Studio with Dr. Dre". I'vw always rapped over west coast beats. I guess it came from listing to Snoop Dogg & the Dogg Pound growing up. Working with the best producer in the world, it makes your music change. But I don't feel no pressure. My only pressure is to impress 50. Even with other places, like down in the south, Buck taught me some stuff down there. Like that market is going to react to this. On tour, you get to see what influences the different places in the world. If you didn't go on tour you wouldn't know how to impact the people in those places. Last Remarks: go get the album "beg for mercy" cause it's retarded. It's the stepping stone for our Future Solo Projects. You only get one first impression, so we had to work real hard on this. This album is going to make you accept me as a solo artists. On 'Beg for Mercy', I've been doing what I've been doing. Let 50 and Em do the Hooks. I want the questions of pressure to keep up until my album comes out. I'm gonna shock the world. I'm gonna record 40 songs and at the end of the day your gonna hear what 50, Em and Dre thought were the best records. Also, I'm Single like a Motha Fuc*a.. What's your Kind of Chick?: I like chicks that like me.. no I'm just playing.. I'm attracted to the ones that are attractive to all men. I AM SINGLE….. 40 and Under.. I'm lookin'! It seems like a lot of the songs on 'Beg for Mercy' are for the ladies. More so then on 'Get Rich Or Die Tryin'. Why was that?: Thing is, you don't want to just cater to your hood. You have to make your music world wide. Everything can't always be Shoot Em Up, Bang Bang all the time…. On The Mixtape, we always come hard. In the artwork, everything has Guns, it's Dark and Grimy. We just like to show a different side of G-unit. Tony Yayo Tony yayo interview at rikers island: What is your relationship with 50 cent?: I have known 50 my whole life. I have known 50 and banks my whole life, we all lived like a block apart from each other, so it's like a family. We used to sell drugs in the same neighborhood together. It's not like just met thru the industry, we knew each other our whole life. 50 is like my brother, banks is like my brother. We've been thru the good times and the bad times. When 50 got shot, did it kill your hopes for a rap career?: When 50 got shot he was like man my whole world came to an end cuz it's like, he got shot, nobody come over to my house no more, nobody was comin' to my house to do tapes, everybody was shittin' on me, he thought it was over for him cuz he got shot at his house, he thought he was dead, it was gonna be a wrap. When he got shot in his mouth columbia dropped him, everybody looked like looked at it like he was over, but i still had faith in 50 you know what i mean, that's why he's got a lot of love for me cuz i always knew he was gonna do it, always knew he was gonna get to the top. So how do you feel now about him doin' 1.7 million albums in less than 2 weeks?: I feel real good for him cuz i knew kid was gonna do it. I knew he was one of the best out there. When he say he's gonna do something, he gonna do it. It was god's plan that's why i thank god everyday. What are you missing out on while being locked up?: I miss the tours, i miss the women. I miss everything. I really miss the shows cuz i get an adrenalin rush every time i do a show. When i get out and do a show, it's no feelin like nuthin else the crowd is out there 10,000. 20,000. Whatever, it's like an adrenalin rush. Your heart start beating, know what i'm sayin' but you know you gotta do what you gotta do with no mistakes you know. It's hard work. But mainly i miss the people. The people and the shady aftermath staff it's like bein family you know that. I got love for them, everybody that looked out for me, know what i mean, especially the label. You'd think that alabel would shit on you if something happen but shady/aftermath is different.they show you real love, they kept it real, especially em. Do you regret your actions?: I look at it like, i got caught with a gun right, so i look it like everyday i carry a gun, i'm walkin' out the house with a felony on my waist. I regret my actions, but for every man's actions, he's gotta remember, there's consequences. Nobody wanna to be in here the time i've been in here and i paid the price. I just want to change my life around and do somethin' positive now that i have the chance to do it. What do you think is key to becoming sucessful in this industry?: I think the formula is consistency man. 50 always say to me that consistency is the key. If you can make a jumpshot million times, you gonna be money. If you can hit a baseball, you gonna get money. If you can do anything consistently you gonna get money. So really our formula is consistency man. We stay workin, stay in the studio. We stay in the studio and i'm a lab rat. 50 a lab rat, dre a lab rat you know what i mean, that's what we enjoy doin'. So we stay doing. But it's really work. Now with shady/aftermath we're good, money rolling in and we're sellin records. The formula to me is consistency, stay on the job…if you want something, you can't sit on your ass, you gotta do somethin about it. That's with anything in life, you gotta work for it. Ain't nothin in this world comin for free. What do you want to tell your fans?: You can change your life around man look at me man like i said dude, i was sellin drugs a couple months ago you know what i'm saying, but god is good now i got the chance to do somethin positive with my life, anything you wanna do you put your mind to it you can do. That's my message to all the gang kids out there. I can't knock a person for doin whatever they gotta do, but i'd rather you do something positive rather than something negative. For all the little kids out there. That's about it. And i wanna thank all the fans, with the free tony yayo tshirts on, the free yayo bannisters, puttin' free yayo ontheir pants, cuz the fans are why i'm here. They are why i'm at the level i'm on right now. I definitely gotta thank the fans and i gotta thank the streets. Young Buck Birth Date: March 15, 1981 Birth Name: David Brown How'd You Get in The Game?: Rap Music, Music was always a part of my life from the beginning. I got in the game from just being heard back in the day. I ran into Cash Money and it didn't happen from there. That was the first established group of people that I met who were ready and were making money in the game. That was 4 years ago. Music has always been a part of me but It just got serious in the past 5 or 6 years. How'd You Hook Up With G-Unit?: After my situation with cash money didn't work, I went back to Nashville, TN. I did whatever it takes to make money. I built a relationship with Juvenile. I was at home, and he decided to create a label. So I decided to go out with him on the road, and record, shop myself and with him. We went to NY two and a half years ago .. Juvi had a studio in his bus, and was looking to work with other artists. 50's name was brought up and I was a fan, so I really wanted to make it happen. So 50 ended up coming through, and brought Banks & yayo. We just vibed, we played songs, and he was playing his shit, I was playing mine. It led to us recording a song. It was on "50 Cent's The Future" Mixtape. I had a little 8 bar verse titled a "little bit". From then, I just stayed in touch. 50 said that if my situation happens, I'll come for you, I'll holla. And he did. What's Your Favorite Song off 'Beg for Mercy'?/Why?: 'G'd Up'. I like the song. For 1, the track is crazy. It was produced by Dr. Dre. It has me, Lloyd Banks and 50 Cent on the song. It's what the average ghetto child goes through everyday, and we touching on that subject in the song. What's Your Favorite Song of all time?/Why?: Tupac's 'All Eyes On Me'. I really like that song for the simple fact that I feel it now. I understand a little more about what he was saying in that song, and what I'm seeing now. Who were your influences growing up?: I caught the Tupac/Biggy era. Tupac, Dre, Eminem. I'm young so I pay my respect to the old school, but I can't sit here and tell you that I was listening to those records and understood what it was saying. What Made You Want to be a Rapper?: I've been illegal for so long you understand? Just to do something that I'd love to do, and its legal. It drew my attraction because I've got a true love for the music before the money. So if I can do something I love and make money I'm with it. My inspiration is my Daughter. To provide for her. That's my Extra Push. I don't' ever want to go back to Having Nothing. That makes me go 10 times harder then the average rapper. What Artist and/or Producer Would You Like to Work with?: Timbaland. I wouldn't mind working with Timbaland. As far as artists I've always wanted to work with 50, Em, Dr. Dre, and Snoop.. so that has come true. I've accomplished that. I wouldn't mind working with Scarface, Jay-Z and Snoop on my Solo Project. How do you feel about the Southern Rap Movement being so strong right now?: I respect all Southern Artists. The South .. We got a lot of weight on our shoulders. Anyone coming from the south I got a ear for. I love Little John, DTP, Luda's whole thing, TI, UGK, Style Camp, Serving the world click they gone be real hot. What other Album, aside from 'Beg For Mercy', are you anticipating this year?: We so focused. All I'm worried about is this 'Beg for Mercy' Album. I can't stop listening. What's your Most Memorable Moment Since Everything Jumped Off In The Past Year?: Buying my Mamma a house, and seeing a smile on her face. I lived in the projects till I was 22 years old. I'm 22 now. I lived in the project by choice. The lifestyle became accustomed to me and my family, so you don't really want to leave. When I got my Mamma up out of there, that's the most memorable thing in my life. What do you do in your free time when you have it?: Smoke Weed. What's the Difference between performing Here in the US and Abroad?: I think that here they know the music. They get a chance to see you here. Overseas you don't get to see us period, so the thought of us not coming back draws everybody, and it makes more people come together, it's a lot more energy. Anything Else You Want to Say?: The Dirty South Is here. Nashville, TN, that's where I'm from! It was a long time coming, but we here now, and it's all good. |
radim beatove za pjesme. cijena po dogovoru... |
radim beatove za pjesme. cijena po dogovoru... |
1986 - 1991 Kalifornija, SAD N.W.A. je grupa koja je obilježila rap glazbu s kraja 80-ih i oblikovala nove naraštaje glazbenika koji će kasnije vladati hip-hop scenom. Pojavili su se kao konkurencija hard core rap grupi Public Enemy i za razliku od njihovih socijalno osvještenih poruka ponudili slavlje i promociju hedonističkog načina života (najčešće kriminalnog). To se uz njihov funk prizvuk pokazalo kao dobitna kombinacija, jer su njihovi albumi N.W.A. and the Posse i Straight Outta Compton postali veliki hitovi, prvi samo kod underground publike, no drugi se, unatoč ignorancije medija, uspio probiti do širokih masa publike i postaviti nove standarde u glazbenom svijetu. Okosnicu grupe su sačinjavala tri člana: Ice Cube, Eazy-E i Dr. Dre., a zatim DJ Yella, the Arabian Prince , the D.O.C. i MC Ren. Nakon uspjeha odmah je uslijedio blagi pad kada je Ice Cube 1989 godine napustio grupu zbog nekih razmirica financijske prirode. Odmah nakon odlaska uslijedila su medijska prepucavanja između Icea i ostatka grupe, rezultirajući Iceovom pjesmom "No Vaseline", koja je bila očiti napad na vodstvo grupe. Nakon njegova odlaska, grupa je snimila 100 Miles and Runnin' i Efil4zaggin ("Niggaz 4 Life") koji su se s više humora i parodije osvrtali na istu problematiku. Unatoč činjenici da se nalaze na samom vrhuncu slave, grupi smrtni udarac zadaje Dr.Dre, napustivši grupu 1992 godine. Dr.Dre je nakon odlaska osnovao izdavačku kuću Death Row Records i pokrenuo vrlo uspješnu samostalnu karijeru kao pjevač, kantautor i producent. Yella i MC Ren su također otišli u solo vode, no svi pokušaji da se profiliraju kao uspješni izvođači prošli su neuspješno. U nekoliko sljedećih godina Dre i Eazy su se često medijski sukobljavali, no Dre i Ice Cube pomirili su se s Eazyem neposredno prije Eazyeve smrti od AIDS-a 1995 godine. |
Na jednom od najvećih hip-hop koncerata godine Game ispljuvao je svog mentora 50 Centa. Na stadionu Gianta u New Jerseyu pojavila su se neka od najvećih imena u hip-hipu, uključujući i nenajavljeno pojavljivanje Jay-Z-a. No, najviše je pozornosti privukao The Game koji je rekao kako je pomirba s Fiftyjem početkom godine bila samo kozmetička, a to je potvrdio uzvikujućući za koncerta više puta "Fuck 50 Cent" i "GGGGG U-Not(s)". Game je navodno bacio G-Unit medaljon u publiku za svog nastupa. Prijetio je i da će razbiti Lloyda Banksa i Tonyja Yayu. Veli on da se ne boji reakcija te je više puta spomenuo svoje spolovilo i tuđe oralne otvore. Osim njega, nastupili su mnogi. Koncert su otvorili Amerie, D-Block i Diplomats, Ghostface Killah i Sizzla su nastupili s D-Block set, dok su Ciara i Ludacris imali kratke nastupe. Lil' Jon je za svog nastupa na pozornicu pozvao Ice Cubea, Damian "Jr. Gong" Marleya, Daddy Yankeeja, Ying Yang Twins i Pitbulla. Za Kanye Westovog nastupa pojavili su se Jay-Z, Cam'ron i Common, a koncert je zatvorio Snoop Dogg. |
jeste li znali da se 50 Cent nalazi u Guinnessovoj knjizi rekorda 2005?? "50 Cent storms into the chart getting the record for the most simultaneous R&B hits with nine entries into the US Billboard Top R&B/Hip-Hop Singles & tracks chart..." Sa 9 singlova na US Billboard top ljestvici... |
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evo necu vam pisat postove do kraja skole tj. do 18.6 :( |
50 Cent - Curtis Jackson Aaliyah - Aaliyah Haughton Ace Frehley (Kiss) - Paul Daniel Frehley Adam Ant - Stuart Goddard Adam Faith - Terence Nelhams Alice Cooper - Vincent Damon Furnier Alicia Keys - Alicia Augello Cook Amir Derakh (Orgy) - Amir Davidson Anastacia - Anastacia Newkirk Anne Murray - Morna Anne Murray Ashanti - Ashanti S. Douglas Axl Rose (Guns N Roses) - William Bruce Rose Babyface - Kenneth Brian Edmonds Barbra Streisand - Barbara Joan Streisand Barry Manilow - Barry Alan Pincus BB King - Riley B King Ben E King - Benjamin Earl Nelson Benjamin Orr (The Cars) - Benjamin Orzechowski. Bent Fabric - Bent Fabricus Bjerre Big Bopper - Jiles Perry Richardson Bill Wyman (Rolling Stones) - William Perks Billie Holiday - Eleanora Fagan Billy Corgan (Smashing Pumpkins) - William Patrick Corgan Jr. Billy Fury - Ronald Wycherley Billy Idol - William Michael Albert Broad Billy J Kramer (The Dakotas) - William H Ashton Bjork - Björk Gudmundsdóttir Bobby Rydell - Robert Ridarelli Bonnie Tyler - Gaynor Hopkins Booker T - Booker T. Jones Barry Manilow - Barry Allen Pincus B.B. King - Riley B. King B.J. Thomas - Billy Joe Thomas Boz Scaggs - William Royce Scaggs Boots Randolph - Homer Louis Randolph Billy Joel - William Joseph Martin Joel http://www.billyjoel.com/ Official site Bo Diddley - Otha Elias Bates McDaniel Bob Dylan - Robert Zimmerman Bobby Darin - Walden Waldo Robert Cassotto Bobbie Gentry - Roberta Streeter Boy George - George Alan O'Dowd Brenda Lee - Brenda Mae Tarpley Bret Michaels (Poison) - Bret Michael Sychak Brian Jones (Rolling Stones) - Lewis Brian Hopkin-Jones Brook Benton - Benjamin Franklin Pierre Big Boi (Outkast) - Antwon Patton Big Bopper - Jiles Perry Richardson Bing Crosby - Harry Lillis Crosby Bizzy Bone - Bryon McCane Bjork - Bjork Gudmundsdottir Black Rob - Rober Ross Bo Diddley - Ellas Bates (later McDaniel) Bob Dylan - Robert Allen Zimmerman Bobbie Gentry - Roberta Streeter Bobby Dall (Poison) - Robert Kuykendall Bobby Darin - Walden Robert Cassetto Bobby Gentry - Roberta Lee Streeter Bon Scott (AC/DC) - Ronald Belford Scott Bono - Paul David Hewson B-Real (Cypress Hill) - Louise Freeze Brenda Lee - Brenda Mae Tarpley Bryan Adams - Bryan Guy Adams Buddy Holly - Charles Hardin Holley Buddy Rich - Bernard Rich Busta Rhymes - Trevor Tahiem Smith Cal Smith - Calvin Grant Shofner Captain Sensible (Damned) - Ray Burns Cat Stevens - Steven Demetre Georgiou CC Deville (Poison) - Bruce Anthony Johanssen Chaka Khan - Carole Yvette Marie Stevens Cher - Cherilyn Sarkisian Chet Atkins - Chester Burton Aitkins Chris Curtis (The Searchers) - Christopher Crummey Chris Farlowe - John Henry Deighton Chubby Checker - Ernest Evans Chuck Berry - Charles Edward Anderson Berry Chuck Berry - Charles Edward Anderson Berry Cliff Richard - Harry Rodger Webb Coby Dick (Papa Roach) - Jacoby Shaddix Common - Rasheed (Todd) LYNN Connie Francis - Concetta Rosa Maria Franconero Courtney Love - Michelle Harrison Conway Twitty - Harold Lloyd Jenkins Coolio - Artis Ivey Jr. Crystal Gayle - Brenda Gail Webb Gatzimos Cyndi Lauper - Cynthia Ann Stephanie Lauper C.W. McCall - William Fries Da Brat - Shawntae Harris Dave "Baby" Cortez - David Clowney Dave Dudley - David Pedruska David Bowie - David Robert Hayward Stenton Jones David Essex - David Albert Cook Dean Martin - Dino Paul Crocetti Del Shannon - Charles Weedon Westover Della Reese - Dellareese Taliaferro Denny Laine (Moody Blues) - Denny Brian Hines Dewey Martin (Buffalo Springfield) - Walter Milton Dwayne Midkiff Dexter (Offspring) - Bryan Kieth Holland Diana Ross - Diane Emestine Ross Dick Dale - Richard Monsour Dido - Florian Cloud De Bounevialle Armstrong Dionne Warwick - Marie Dionnne Warrick Dobie Gray - Leonard Victor Ainsworth Don Everly - Isaac Donald Everly Don Fardon - Don Maughan Donna Fargo - Elizabeth Yvonne Vaughan Donna Summer - LaDonna Andrea Gaines Donovan - Donovan Phillip Leitch Dottie West - Dorothy Marie Marsh Dr. Dre - Andre Young Dre (Outkast) - Andre Benjamin DMX - Earl Simmons Duke Ellington - Edward Kennedy Ellington Dusty Springfield - Mary O'Brien Eazy E - Eric Wright Ed Ames - Ed Ulrick Eddie Raven - Edward Garvin Futch Eddie Vedder (Pearl Jam) - Edward Louis Severson Edith Piaf - Edith Giovanna Gassion Elliot Easton (The Cars) - Elliot Steinberg Elton John - Reginald Kenneth Dwight Elvis Costello - Declan Patrick McManus EminEm - Marshal Bruce Mathers III Engelbert Humperdink - Arnold George Dorsey Eno - Brian EnoBaptiste de la Salle Eno) Enya - Eithne Ní Bhraonáin Epic (Crazy Town) - Bret Mazur Eric Carr (Kiss) - Paul Charles Caravello Eric Clapton - Eric Patrick Clapp Eric Singer (Kiss) - Eric Mensinger Eve (Ruff Ryders) - Eve Jeffers Everlast - Erik Schrody Eydie Gorme - Edith Gorme Fabian - Fabiona Forte Bonaparte Faith Hill - Audrey Faith Perry Hill Falco - Johann Hölzel Fatboy Slim - Quentin Cook (aka Norman Cook) Fats Domino - Antoine Domino Faydoedeelay (Crazy Town) - Doug Miller Fiona Apple - Fiona Apple Maggart Flood - Mark Ellis Frank Sinatra - Francis Albert Sinatra Frankie Avalon - Francis Avallone Frankie Valli (Four Seasons) - Francis Castelluccio Freddie Fender - Baldemar G. Huerta Freddie Hart - Fred Segrest Freddy Cannon - Freddy Picariello Freddie Mercury (Queen) - Frederick Farookh Bulsara Frankie Avalon - Francis Thomas Avallone Frankie Valli - Frank Castelluccio Foxy Brown - Inga Marchaud Funkmaster Flex - Aston Taylor Jr. Gary Bonds - Gary Anderson Gary Glitter - Paul Gadd Gary U.S. Bonds - Gary Anderson Gene Chandler - Eugene Dixon Gene Simmons (Kiss) - Chaim Witz George Fame - Clive Powell George Fatty - Franz Georg Pressler George Michael - Georgios Krylacos Panayiotou Geri Halliwell - Geraldine Estelle Halliwell Ginger Baker (Cream) - Peter Baker Ginuwine - Elgin Lumpkin Gloria Estefan - Gloria Maria Fajardo Greg K. (Offspring) - Greg Kriesel Harry Belafonte - Harold George Belafonte Henry Mancini - Enrico Mancini Herb (Peaches & Herb) - Haer Feemster Huey Lewis - Hugh Anthony Cregg Ice Cube - Oshea Jackson Ice T - Tracy Marrow Iggy Pop - James Jewell Osterberg, Jr. India.Arie - India Arie Simpson J. Geils - Jerome Geils Ja Rule - Jeffery Atkins Jackson Browne - Clyde Jackson Browne Janis Ian - Janis Eddy Fink Jay-Z - Shawn Corey Carter Jazz (Dru Hill) - Larry Anthony JR. Jazzy Jeff - Jeffrey Townes JBJ (Crazy Town) - James Bradley JR. Jerry Reed - Jerry Hubbard Jessi Colter - Miriam Johnson Jewel - Jewel Kilcher Jimi Hendrix - Johnny Allen Hendrix Jimmy Cliff - James Chambers Jimmy Dean - Seth Ward Joan Jett - Joan Larkin Joe Cocker - John Robert Cocker Joe Strummer (The Clash) - John Graham Mellor Joey Dee - Joseph DiNicola Joey Fatone - Joseph Anthony Fatone Jr. John Cougar - John Mellencamp John Denver - John Henry Deutschendorf John Fred - John Fred Gourrier Johnny Deisel - Mark Lizotte Johnny Marr (The Smiths) - John Maher Johnny Paycheck - Donald Eugene Lytle Johnny Rivers - John Ramistella Johnny Rotten (Sex Pistols) - John Lydon Jon Bon Jovi - Jon Francis Bongiovi Jr Jonathan King - Kenneth King Joni Mitchell - Roberta Joan Anderson Juice Newton - Judy Kay Newton Julian Lennon - John Charles Julian Lennon Julio Iglesias - Julio Jose Iglesias de la Cueva Juvenile - Terius Grey KC (and the Sunshine Band) - Harry Wayne Casey KD Lang - Kathryn Dawn Lang Kelly (Destiny's Child) - Kelandria Rowland Kenny G - Kenny Gorelick Kiki Dee - Pauline Matthews Kitty Wells - Ellen Muriel Deason Kris Kristofferson - Kris Carson Left Eye (TLC) - Lisa Lopez Leif Garrett - Leif Per Narvik Len Barry - Leonard Borrisoff Leo Sayer - Gerald Hugh Sayer Lesley Gore - Lesley Goldstein Levi Stubbs - Levi Stubbles Liberace - Wladziu Lee Valentino Lil Bow Wow - Shad Moss Lil Kim - Kimberly Denise Jones Lil' Wayne - D'Wayne Carter Linda Lunch (The Jerks) - Lydia Koch Little Anthony - Anthony Gourdine Little Eva - Eva Narcissus Boyd Little Peggy March - Margaret Battavio Little Richard - Richard Wayne Penniman LL Cool J - James Todd Smith Lobo Courtney - Kent Lavoie Lou Christie - Lugee Alfredo Giovanni Sacco Ludacris - Christopher Bridges Lulu - Marie Lawrie M - Robin Scott Mac Davis - Morris Davis Macy Gray - Natalie McIntire Madonna - Madonna Louise Veronica Ciccone Magic Dick (J. 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HIP-HOP povijest Nitko ne zna kad je točno nastala Hip-Hop kultura, ali se zna da je to bilo sredinom 70-ih godina prošlog stoljeća. U crnačkim četvrtima Bronxa, NYC, na ulicama (prvi graffiti), u diskotekama (prvi DJ-ing i breakbeat za b-boying) i u parkovima (MC-ing), mladi su spontano započeli novi pokret koji je kasnije prerastao u globalnu kulturu. U ovom prvom dijelu priče o povijesti rapa, pokušat cu vam približiti nastanak ovog glazbenog pravca, a u drugom dijelu čitajte o njegovom daljnjem razvitku. U dijelovima New Yorka sa većinskom Crnom populacijom u diskotekama je krajem 70-ih bio popularan funk. DJ-i su shvatili da neki dijelovi pjesama dižu publiku i onda su se dosjetili da bi mogli uzeti dva primjerka iste ploče i najbolji komad iste pjesme puštati opet i opet s 2 gramofona. Na to je došao MC, koji je svako malo bacio neku party rimu preko glazbe, da bi još više podigao atmosferu. Onda su se počele koristiti i ritam mašine i nastao je novi glazbeni pravac. Prvi DJ-i koji su stvarali svoju glazbu samplirajući dijelove iz starijih funky i disco pjesama bili su Afrika Bambaataa i Kool DJ Herc, i njih se danas smatra ne samo začetnicima rapa, nego elektronske glazbe općenito. Prva snimljena rap pjesma koja je čak postala hit u ljeto 1979. g. bila je legendarna "Rappers Delight" grupe The Sugarhill Gang. Nakon toga počeo je snimati i Grandmaster Flash s grupom The Furious 5 i počela se lagano stvarati scena. Treba naglasiti da je tada još rap glazba bila prostorno ograničena: snimali su je i slušali samo Crnci u New Yorku, a glazbeni kritičari ju nisu priznavali kao glazbeni pravac koji će uspjeti. Rap se snimao prvenstveno za brejkanje, bila je to tada vrlo brza elektronska glazba u kojoj je glavnu ulogu imao ritam. Danas se taj stil naziva old school. Veliki pomak napravio je Grandmaster Flash, koji je 1983. g. snimio stvar "The Message", koja je bila kritika društva i davala jasnu poruku. Tada su rapperi shvatili da je ova glazba savršena za prijenos poruka i da rime mogu imati važnu ulogu. U to vrijeme pojavila se još jedna vrlo važna grupa za povijest hip-hopa: Run DMC, koji su zapravo postavili trend i približili rap široj publici, pogotovo nakon njihove suradnje s tada poznatom heavy metal grupom Aerosmith u pjesmi "Walk This Way". Pojavila se i prva diskografska kuća zainteresirana prvenstveno za izdavanje rap albuma: Def Jam. Za njih su snimali Run DMC i LL Cool J, a korak dalje značio je prvi album jedne bijelačke rap grupe Beastie Boys, koji su kombinirali ritam mašine i sampliranje sa živom svirkom i sirovim rapom. "Licensed to Ill" iz 1987. bio je na prvom mjestu američke top-liste, prvenstveno zbog hitova "Fight For Your Right (to Party)" i "No Sleep till Brooklyn". Uglavnom, Beastie Boys su srušili mnoge rasne predrasude o Hip-Hopu kao isključivo crnačkome stilu. Sredinom 80-ih godina lagano se počela stvarati scena i na zapadnoj obali SAD-a, u LA-u. Tamo je među prvim poznatijim rapperima bio Too $hort, koji je do danas snimio već preko 15 albuma (sam Bog zna točan broj), ali glavnu riječ u LA-u krajem 80-ih vodio je naravno Ice-T, koji se tada jedini mogao mjeriti sa suparnicima s istočne obale. Njegovi albumi "Power" i "Iceberg" značili su uvod u gangsta rap maniju, o kojoj ćete više saznati u drugom dijelu. Sad se vraćamo u New York, jer kraj 80-ih je zlatno doba rap glazbe. Nastaju mnoge legendarne i kvalitetne grupe: BDP, Eric B. & Rakim, Gang Starr, a neki od njih su i danas vodeće face u svijetu Hip-Hopa. Međutim, ono najrevolucionarnije u povijesti ovog glazbenog pravca dogodilo se 1988. godine: drugi album grupe Public Enemy, pod nazivom "It Takes a Nation of Millions to Hold Us Back". Radi se o radikalnom načinu borbe za rasnu jednakost na svim poljima, i to na vrlo efektivan način: podloge žestoke i pune energije, tekstovi direktni, inteligentni i s jasnom porukom. Kritika ih je odmah dočekala na nož: po časopisima su ih ocjenjivali kao Crne rasiste koje treba zakonom zabraniti za dobrobit društva, a spominjali su ih često i u politickim debatama. No to je u biti ispala dobra reklama za PE, jer grupa je ubrzo postala svjetski poznata. Iako gotovo nijedna radio niti TV stanica nije baš rado vrtila njihove stvari u eteru, album se jako dobro prodao i paradoksno je to što su upravo Public Enemy, radikalni borci za prava Crnaca u Americi, postali prva rap grupa široko prihvaćena i u Europi. Kad su snimili treći album "Fear of a Black Planet" 1990. (na njemu se nalaze hitovi "911 Is a Joke", "Brothers Gonna Work It Out" i "Anti-Nigger Machine"), album je otišao platinasto (čitaj: prodao se u milijun primjeraka) samo 2 tjedna nakon izlaska. To je značilo da rap postaje glazbeni pravac na koji će se u budućnosti morati računati. Prava pljuska američkoj javnosti bila je grupa N.W.A. (Niggaz Wit' Attitudez), koju su originalno sačinjavali Ice Cube, Eazy-E, Dr.Dre, MC Ren i DJ Yella. Njihov prvi album "Straight Outta Compton" izašao je 1989. g. i sranja su krenula. Za tadašnje vrijeme, bio je presedan da u CD shopovima širom SAD-a bude CD na kojem je svaka druga riječ "muthafucka", "bitch" ili nesto slično, varijacije na temu. U pjesmama naši junaci bez dlake na jeziku govore o dilerima, prostitutkama, pištoljima i kurvama, ali ne u smislu kao da je to nešto negativno. Mnogi su bogati bijeli Ameri kupovali taj album jer su mislili da će se na taj način solidirati s najnižim slojem, neki su na taj način željeli vidjeti što se događa u siromašnim četvrtima, tamo gdje se oni boje naći i sl. Zbog pjesme "Fuck tha Police" članovi grupe su imali problema čak i s F.B.I-jem. Evo kako Ice Cube započinje pjesmu: "Fuck tha police comin' straight outa underground / A young nigga got it bad 'cause I'm Brown / And not the other color, some police think / They have the authority to kill the minority / Fuck that shit 'cause I ain't the one / Fool and punk muthafucka with a badge and a gun...". Kad su novinari pitali Cubea zašto sebe naziva "nigga" (do tada, to je bio posprdan naziv za Crnca), on je odgovorio da će se nakon njihovih pjesama značenje te riječi promijeniti. Oni žele pokazati da "nigga" nije neki jadan, smotani "crnjo" po kojem će svi gaziti i koji ništa neće moći reći, nego da je to onaj koji više neće trpiti poniženja i koji će od sada svima je*at sve po spisku. To su N.W.A. i uspjeli postići. Novine u Americi bile su pune članaka o lajavim gangsterima iz Comptona (ozloglašena siromašna četvrt u south central L.A-u), da je popularnost "Crnčuga sa stavovima" porasla iznad svih očekivanja. Nakon toga, po L.A-u su počele nicati slične grupe kao gljive poslije kiše i svi su se busali u prsa kako su baš oni iz Comptona. Ali njihovi idoli N.W.A. su se brzo raspali - jer se nisu uspjeli dogovoriti oko podjele para. Članovi grupe krenuli su u svoje (nekima uspješne, nekima baš i ne) solo karijere. Gangsta rap nije pustio svoje korijene samo u L.A-u, nego i u Houstonu, TX. Tamo je krajem 80-ih nastala grupa Geto Boys, koju se u mnogočemu može uspoređivati s N.W.A. Geto Boyse pamtimo po odličnim hitovima "Damn It Feels Good to Be a Gangsta" i "Mind Playin' Tricks on Me". No, danas se mnogi sjećaju te grupe samo po tome što je to bila prva Scarfaceova grupa. Sad se opet vraćamo zapadnoj obali. Ice Cube je prvi napustio N.W.A. i 1990. g. snimio svoj prvi solo album "AmeriKKKa's Most Wanted" (nisu slučajno 3 velika slova "K" u riječi "AmeriKKKa"), a ostatak ekipe je snimio drugi N.W.A. album "Niggaz4Life" bez njega, ali pokazalo se da je ipak Cube bio glavna karika u lancu i da su bez njega slabi, tako da su se uskoro potpuno raspali. No, ni to nije prošlo kulturno. Slijedila su prepucavanja preko pjesama: prvo su se pljuvali Eazy i Cube, onda Eazy i Dre. Rapperi u New Yorku, međutim, nisu cijenili "gangsta rap", kao ni svoje kolege sa zapadne obale. Čak štoviše, imali su stav da je gangsta rap samoubojstvo mlade Crne populacije. Grupa Public Enemy na četvrtom albumu "Apocalypse 91...The Enemy Strikes Black" iz 1991. g. okreće svoj nišan od bogatih bijelih vlastodržaca prema Crnim gangsterima i ukazuje na to koliko ilegalan način zarade šteti Crnoj zajednici u Americi. Iako je taj album jako dobro prodan (s njega su skinuti hitovi "Can't Truss It", "Nighttrain", "By the Time I Get to Arizona" i "I Don't Wanna Be Called Yo Nigga"), očito je bilo da njihova popularnost opada u odnosu na "gangstere" iz L.A-a. na prijelazu iz 80-ih u 90-e godine prošlog stoljeća. Hip-Hop je u to vrijeme postajao sve popularniji i sve se više nametao američkoj javnosti. Iako je rap tada bio žešći nego ikada, sve više mladih, bez obzira na boju kože, počeo se poistovjećivati s ovim glazbenim pravcem, a nastajali su i prvi rap časopisi (legendarni "Word Up!"). Dok je u New Yorku vladala revolucionarna politički angažirana struja (Public Enemy, BDP, Big Daddy Kane, Gang Starr...), na suprotnoj strani Amerike, u L.A-u počela se razvijati pošast koju su kritičari kasnije nazvali "gangsta rap". Ice-T je bezazleno krenuo s takvim načinom izražavanja u kojemu ni malo ne bira riječi u svojim pjesmama, već se koristi najsurovijim uličnim žargonom, onakvim kakav koriste američki uličari, najniži sloj društva. On ne samo da govori kao oni, nego se i poistovjećuje s njima. Prava pljuska američkoj javnosti bila je grupa N.W.A. (Niggaz Wit' Attitudez), koju su originalno sačinjavali Ice Cube, Eazy-E, Dr.Dre, MC Ren i DJ Yella. Njihov prvi album "Straight Outta Compton" izašao je 1989. g. i sranja su krenula. Za tadašnje vrijeme, bio je presedan da u CD shopovima širom SAD-a bude CD na kojem je svaka druga riječ "muthafucka", "bitch" ili nesto slično, varijacije na temu. U pjesmama naši junaci bez dlake na jeziku govore o dilerima, prostitutkama, pištoljima i kurvama, ali ne u smislu kao da je to nešto negativno. Ice Cube je snimio 3 odlična albuma do 1993. g, ali najmaštovitiji je bio Dr.Dre. On je 1992. svojim prvim solo albumom "The Chronic" započeo novi trend, koji je on sam nazvao G-funk. Otkrio je i novu zvijezdu, Snoop Doggy Dogga, koji mu gostuje na albumu. Album se prodao u 3 milijuna primjeraka (hitovi: "Nuthin' but a G-Thang", "Dre Day" i "Let Me Ride". Dvije godine kasnije izlazi dugoocekivani Snoopov album prvijenac "Doggystyle", naravno, u Dreovoj produkciji (stariji se sjećaju pjesama "What's My Name?" i "Gin & Juice". Gangsta rap je službeno mrtav, započela je nova zaraza: G-funk nije slavljenje poroka, već jednostavno opuštanje uz laganu, rolajuću ljetnu mjuzu, žene, cuga & pljuga - to je bila bit te glazbe. Dok je na zapadnoj obali vladala "komercijalna" struja, na Istoku su se rapperi i dalje brinuli da hip-hop ne izgubi svoju bit i vraćali glazbu njenim korijenima. 1991. pojavila se mlada grupa iz New Jerseya, koja je mnogo obećavala. Zovu se Naughty by Nature, a proslavili su se hitovima "O.P.P." i "Ghetto Bastard". Moram spomenuti i još neke newyorske grupe vazne za to vrijeme, kao što su De La Soul i A Tribe Called Quest. 1994. g. Public Enemy opet izlaze na površinu, pokazujući da ih trendovi sa zapadne obale nisu uzdrmali. Njihov peti album "Muse Sick-N-Hour Mess Age" konačni je udarac gangsta rapu. Ali nisu se odrekli ni svojih starih tema, tako da u jednoj pjesmi čak pokopavaju američku zastavu. Nažalost, to je bio zadnji album prije nego su P.E. izgubili svoje značenje i otišli na marginu. U prvoj polovici 90-ih godina Hip-Hop kultura se proširila po cijelom SAD-u, tako da se glavnina rap scene nije više nalazila samo u New Yorku i L.A-u. U New Jerseyu su počele nicati odlične grupe koje su gajile onaj izvorni b-boy zvuk. Naughty By Nature su se vratili 1993. s odličnim drugim albumom "19 Naughty III", koji pamtimo po hitu "Hip-Hop Hooray". Iste godine u istom gradu pojavili su se Lords Of The Underground, a tu su bili i filozofski (ali ponekad i previše rasistički) raspoloženi Poor Righteous Teachers. 1994. na scenu dolazi Nine, legendarni "bog" undergrounda. I Fugees. Da, malo ljudi zna da je ta grupa postojala i puno prije one famozne obrade "Killing Me Softly". 1994. je bila sudbonosna godina i za hip-hop scenu u Atlanti, glavnom gradu Georgije na Jugu SAD-a. Tamo grupa Outkast snima svoj prvi album nazvan "Southernplayalisticadillacmuzik", koji je definirao zvuk i čari južnjačkog rapa: lagana glazba uz plesne beatove, savršena za ljetnu vožnju po gradu. Svi znate kako su Outkast postali svjetski popularni prošlih godina, zahvaljujuci hitovima "Ms. Jackson", "So Fresh, So Clean" i "Whole World", nakon 4 snimljena albuma. U Chicagu je glavnu riječ vodio Common Sense, prvi predstavnik danas vrlo popularnog "revolutionary" stila, koji je kasnije morao zbog pravnih problema skratiti ime, tako da se danas zove samo Common. Njegov drugi album "Resurrection" pokazuje kako dubok rap može biti kada je MC izvrstan liričar. Iz Philadelphije dolazi grupa The Roots, pravi hip-hop band, u kojem svaki član svira instrument (dakle, "ziva" glazba) + MC. Njihov drugi album "Do You Want More?!!!!!???!" (1995) je objektivno jedan od najboljih rap albuma ikad snimljenih i žalosno je što Rootsi tek sad uživaju onu slavu i zaradu koju su još davno zaslužili. Danas su oni najveća koncertna hip-hop atrakcija. U prvoj polovici 90-ih godina Hip-Hop kultura se proširila po cijelom SAD-u, tako da se glavnina rap scene nije više nalazila samo u New Yorku i L.A-u. U New Jerseyu su počele nicati odlične grupe koje su gajile onaj izvorni b-boy zvuk. Naughty By Nature su se vratili 1993. s odličnim drugim albumom "19 Naughty III", koji pamtimo po hitu "Hip-Hop Hooray". Iste godine u istom gradu pojavili su se Lords Of The Underground, a tu su bili i filozofski (ali ponekad i previše rasistički) raspoloženi Poor Righteous Teachers. 1994. na scenu dolazi Nine, legendarni "bog" undergrounda. I Fugees. Da, malo ljudi zna da je ta grupa postojala i puno prije one famozne obrade "Killing Me Softly". 1994. je bila sudbonosna godina i za hip-hop scenu u Atlanti, glavnom gradu Georgije na Jugu SAD-a. Tamo grupa Outkast snima svoj prvi album nazvan "Southernplayalisticadillacmuzik", koji je definirao zvuk i čari južnjačkog rapa: lagana glazba uz plesne beatove, savršena za ljetnu vožnju po gradu. Svi znate kako su Outkast postali svjetski popularni prošlih godina, zahvaljujuci hitovima "Ms. Jackson", "So Fresh, So Clean" i "Whole World", nakon 4 snimljena albuma. U Chicagu je glavnu riječ vodio Common Sense, prvi predstavnik danas vrlo popularnog "revolutionary" stila, koji je kasnije morao zbog pravnih problema skratiti ime, tako da se danas zove samo Common. Njegov drugi album "Resurrection" pokazuje kako dubok rap može biti kada je MC izvrstan liričar. Iz Philadelphije dolazi grupa The Roots, pravi hip-hop band, u kojem svaki član svira instrument (dakle, "ziva" glazba) + MC. Njihov drugi album "Do You Want More?!!!!!???!" (1995) je objektivno jedan od najboljih rap albuma ikad snimljenih i žalosno je što Rootsi tek sad uživaju onu slavu i zaradu koju su još davno zaslužili. Danas su oni najveća koncertna hip-hop atrakcija. Glavne su se stvari ipak događale u New Yorku. Kad se govori o povijesti rapa, ne može se zaobići Wu-Tang Clan, pravu malu vojsku koja broji čak 9 jakih MC-ja: Method Man, Ol' Dirty Bastard, RZA, Raekwon, Ghostface Killah, GZA, U-God, Masta Killah i...nikad ih se ne uspijem sjetiti svih. Uglavnom, svaki od njih snima i solo albume. Njihov prvi zajednički album "Enter the Wu-Tang (36 Chembers)" značio je početak tzv. "wu-groznice" koja je dugo vladala među hip-hop publikom, a još uvijek se osjeti, iako su se wu-tangovci pomalo "razvodnili" u zadnjih 5 godina. Nas, mladi i vrlo talentirani MC iz kvarta zvanog Queens Bridge, snima 1994. prvi album "Illmatic", koji ubrzo ulazi među klasike hip-hopa. S tog albuma izdvojio bih pjesmu "NY State of Mind", koja produkcijski (DJ Premier) i liricki savršeno stvara u glavama slušatelja slike newyorskih ulica i kvartova, čak i ako nikad niste bili tamo. Nas je postao planetarno popularan među širom publikom tek nakon drugog albuma "It Was Written" (1996), prvenstveno zbog pjesme "If I Ruled the World", na kojoj mu gostuje Lauryn Hill, tada još članica grupe Fugees. Iz Nasovog kvarta dolazi Mobb Deep, još jedna grupa vrijedna spomena, koja je do danas snimila 5 odličnih albuma. Tada već dokazani majstori Guru i Premier (zna se - Gang Starr) 1994. godine snimaju 4. album "Hard to Earn", još jedno žestoko izdanje za prave hip-hop glave, a 4 godine poslije se vraćaju dublji nego ikad s još jednim klasikom "Moment of Truth", s kojeg su skinuti singlovi "You Know My Steez", "Royalty" i "The Militia". Guru je, usporedno s radom u grupi Gang Starr, radio i na svom projektu Jazzmatazz, na kojemu je, u suradnji s raznim glazbenicima iz svijeta jazza, R&B-ja, soula i rapa, spajao različite glazbene stilove. Ne može se govoriti o New Yorku sredinom 90-ih, a da se ne spomene The Notorious B.I.G., još poznat kao Biggie, koji je potpisao za Puff Daddyjevu (danas se valjda zove P.Diddy, ak se ne varam) etiketu Bad Boy i snimio prvi album "Ready to Die", nakon kojega ga je newyorška publika zavoljela, a MTV je rado vrtio videospotove za singlove "Juicy", "Big Poppa" i "One More Chance". Biggie se kasnije zakačio sa svojim bivšim kompićem 2 Pacom iz LA-a (ili obrnuto: 2 Pac se zakačio s njim). Uglavnom, rezultat je tužan: 2 Pac ubijen 1996. (počinitelj nepoznat), a i Biggija je bogami ista sudbina zadesila par mjeseci kasnije (počinitelj opet nepoznat). Bilo je to u travnju 1997. godine, nepoznate osobe izrešetale su automobil u kojemu se vozio i tako je otišao još jedan veliki rapper, The Notorious B.I.G. (pravim imenom Christopher Wallace). Ubrzo nakon Biggiejeve smrti, Bad Boy izdaje njegov dvostruki album (drugi po redu), pod nazivom "Life after Death". Album je bio veliki hit s obe strane bare (pamtimo ga po hitovima "Hypnotize" i "Mo' Money, Mo' Problemz", ali ima gore još puno boljih stvari). Prava je šteta što Biggie nije doživio da uživa u plodovima svog rada, a na njegovoj tragediji čini se da je najviše profitirao Puff Daddy, koji je čak snimio onu ljigavu stvar "I'll Be Missing You" i posvetio ju Biggieju, a u pjesmi gostuje Biggiejeva supruga Faith Evans, za koju se Tupac hvalio da ju je svojevremeno ševio. I tako, dok je cijela scena pala u emotivnu krizu zbog velikih tragedija, neki su ljudi od svega toga uspjeli napraviti cirkus. U svakom slucaju, da su stvari bile drugačije (i da je drukčiji mentalitet u igri), Biggie i Pac bi danas bili vjerojatno i popularniji od jednog Eminema ili 50 Centa. Obojica su bili talentirani i puno su obećavali. Da su oni živi, danas bi hip-hop možda bio bogatiji, možda čak i drugačiji. Šteta, nikad nećemo znati. |
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